Thursday, July 30, 2015

ANASTACIO T. CAEDO....“ MALAKAS AT MAGANDA”



                                                      “ MALAKAS AT MAGANDA”




by   ANASTACIO T. CAEDO. [1907 – 1990]
marble cast.
Sculpture:- 47cm high x 12cm wide.
Base:- 6cm deep x 18.5cm long x 15cm wide.
Signed:- A.T. CAEDO – 1955.

IMPORTANT NOTE.
This sculpture became the trophy of the Philippine Sports Association.


The title “ Malakas at Maganda” is from Philippine Folklore
Malakas and Maganda is about the origin of the native Filipinos.

“ When Bathala (God) was done creating the world, he was bored. He looked down over the earth and sent a bird into the world. The bird was flying around when it heard some sounds and tapping somewhere in the forest. The bird landed and found out that the sound is coming from a huge bamboo. He started pecking on it and pretty soon it split in the middle where a man came out of it. His name was Malakas, which means strong, and he told the bird, "My mate is in the other piece of wood." They got her out and her name was Maganda which means beautiful. The two got on the bird's back and flew away to find some place to live. They went flying around the world, and then finally, the bird saw a land and let the two giants set foot and live on it. When Malakas and Maganda stepped on the land their weight separated the land into islands (Philippines has 7,200 islands). Malakas and Maganda live on and produced millions of children, which came to be the Filipinos.” [from bamboo man.com]

DESCRIPTION OF THE SCULPTURE

This sculpture of “Malakas at Maganda” is a very beautiful Caedo sculpture that has the two naked figures standing together with the male with his arm around the shoulders of the female.
Both have long hair though the female is much longer and falls down her back.


Maganda looks straight ahead and Malakas has his mouth open as if addressing or calling someone, with his right arm raised in a gesture to get someone’s attention.
Both of Magandas arms are to her right side where she is holding a flower, which is clearly seen and the two fingers from her right hand, she seems happy and unconcerned.



 The Sculptor has both Malakas and Maganda either standing in front of or coming through a large plant, the foliage is displayed behind and between the both of them, it comes up above the left knee of Malakas and up the right thigh of Maganda.
The leaves and the fruit from the plant can be clearly seen and one large leaf covers the front of Malakas.
Maganda is uncovered.
They are standing bare footed on the base which seems to be a grassy knoll.


 From the back of the sculpture the large plant can be clearly seen growing up from behind a rock.
Leaves from the plant are pressed up against both people.
The back torso of Malakas at Maganda are both uncovered.


 DISTINGUISHING MARKS

. Around the base of the sculpture, the Sculptor has carved lines into the marble to indicate grass and it can be seen that the couple are standing on a rise.
. There are no marks under the base of the sculpture.
. The signature is between the feet of Malakas and it reads :- A. T. CAEDO
1955


 . the second last toe on the left foot of Malakas, a chisel mark can be seen across the top of the toe, not seen anywhere else. 




Mark E Shellshear.
Art Consultant.
markshellshear@gmail.com

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